Sunday, October 08, 2017

Exhibition Road was an accident waiting to happen

We were there yesterday morning, before the minicab hit eleven people outside the Natural History Museum, and remarked even then how unsafe Exhibition Road felt.

We were visiting the V&A but came before opening time, so strolled up the road past the NHM - already there was a long queue of families waiting to get in there; it was much longer when we came out of the V&A after noon.

For most of its length, Exhibition Road has no curb (so much for "car mounted pavement" in the Guardian and Daily Star) or traffic lanes.


What look like "pavement" demarcation lines in the above photo from the excited coverage in the Daily Mail five or six years ago are actually drainage, and now from ground level they are almost invisible, as seen in the more recent picture below:

Image cropped from Google Maps Street View

The criss-cross pattern in the block paving seems expressly intended to confuse boundaries - and it was! The "continuous shared space" - an idea adopted from Holland - was to make "motorists take more personal responsibility for their own actions and drive more attentively", i.e. make accidents easier to happen. The same logic would have local Councils mist-spraying pavements in icy weather so that people would walk more carefully.

Whichever authorities govern the road, they have resiled somewhat from the bash-nanny approach and now there is the odd metal post and concrete flower box to give us hedgehoggy pedestrians some assurance that we're not standing in the middle of what old Brummies used to call "the 'orse road". But yesterday it wasn't enough.

There may well have been other factors in that collision; this was another one.

Friday, October 06, 2017

FRIDAY MUSIC: Saat Masaale* by JD

*Seven spices (Hindi).

Here is a miscellaneous potpourri of music which defies categorisation but it is all good!







Friday, September 29, 2017

FRIDAY MUSIC: Rhiannon Giddens, by JD

Yet another excellent 'hidden' gem of a musician by the name of Rhiannon Giddens https://en.wikipedia.org/wiki/Rhiannon_Giddens

As can be seen in the Wiki profile she covers virtually every musical genre you can think of. As well as playing fiddle and banjo she has a magnificent and soulful singing voice. And anyone who can make a kazoo sound like the most raucous jazz/blues instrument you have ever heard is clearly a musical genius!









Tuesday, September 26, 2017

A letter to the National Archives

The National Archives
Kew
Richmond
Surrey,
TW9 4DU



Tuesday, 26 September 2017


Dear Sirs


75th anniversary publication request -  document AIR 20/4870

As you know, in 1944 the writer H E Bates was commissioned to write a monograph on the defence of Britain during the Blitz of 1940-41, which was titled "The Night Battle of Britain."

May I ask whether this study by a now world-famous author, written so close to the events it describes, will be made available online in time for the 75th anniversary of its completion, i.e. 2019? That year will of course also be the 75th anniversary of the D-Day landings.

Alternatively (or in addition), would the National Archives consider permitting hard-copy facsimile publication?

Friday, September 22, 2017

FRIDAY MUSIC: Hillbilly Moon Explosion, by JD

YouTube always offer their 'recommendations' as well as the music you are actually looking for. Occasionally there appears something interesting and one such was Hillbilly Moon Explosion. https://en.wikipedia.org/wiki/Hillbilly_Moon_Explosion

A strange mixture of Rockabilly, Reggae, Swing and other pop styles mixed in with 1950s style smoochy, cheesy 'Dolce Vita' type ballads. Very bizarre and very different but it works!










Monday, September 18, 2017

A Transsexual Coincidence

One thing leads to another. It certainly did last Wednesday, when blows were exchanged at Speaker’s Corner between transsexuals and feminists who don’t wish the former to have the rights they enjoy themselves.[1] These TERFs[2] don’t seem to realise how old-fashioned their prejudice is.  For transsexuals play a key part in a novel from 1960 that took nearly 50 years to get published.[3]

Murray Sayle’s “A Crooked Sixpence”[4] tells of an Australian journalist who comes to London following a girlfriend and manages to get a job on a newspaper, the Sunday Sun.[5]  Largely based on his own experiences from the 1950s[6], the book describes the underhand stratagems by which “human interest” journalists got stories to titillate their readers, regardless of the damage they caused to obscure individuals in their hypocritically moralistic exposés.[7]

A game-changer in the tale is a transsexual who offers to tell his/her story, naively hoping for fair coverage. (This was very modern: in 1961 the Charing Cross Gender Identity Clinic - the first in the UK[8] - was still 5 years into the future. But the successful fashion model April Ashley was just about to be outed as a transsexual - in the Sunday People.)[9]

The brutal editor, Barr, gives O’Toole his brief: offer £25 and “that bollocks about explaining his tragic plight to the public”, then turn on the trans in print:

“I see the angle like this: “This disgusting pervert has had himself mutilated to get money from the innocent British public. He even had the nerve to ask money for the revolting details of his sickening operation. You ought to be in a prison or a mental home, you're not fit to breathe the same air as the decent people of Britain, you contemptible beast.” With this twist, it ought to make a page lead.”

More than half a century later, the decent TERFs of Britain are turning on the often tremendously brave transsexuals, in a location famously dedicated to the principle of liberal tolerance.




[1] http://metro.co.uk/2017/09/17/woman-injured-as-feminists-and-transgender-groups-fight-at-speakers-corner-6933812/
[2] “Trans-Exclusionary Radical Feminists”
[3] Originally published in 1961 but pulped almost immediately because of an attempt by a broke toff to sue the publishers: Michael Alexander was the model for “Michael Macedon”.
[4] https://www.amazon.co.uk/Crooked-Sixpence-Murray-Sayle/dp/0955823846
[5] Based on The People, which was taken over by Mirror Group in 1961. Now called the Sunday People: https://en.wikipedia.org/wiki/The_Sunday_People
[6] He quit in 1956, like his fictional hero James O’Toole. https://en.wikipedia.org/wiki/Murray_Sayle
[7] There was another book about Fleet Street - “The Street Of Disillusion” - published three years earlier (in 1958) by a man called Harry Procter. Like Sayle, Procter left the profession in disgust; but Sayle was to return a few years later and earn distinction in serious investigative journalism.
[8] https://youthtranscriticalprofessionals.org/2016/08/30/fifty-years-on-the-charing-cross-gender-identity-clinic-and-the-funding-of-a-category-without-parallel/
[9] https://en.wikipedia.org/wiki/April_Ashley#Model.2C_scandal

Sunday, September 17, 2017

Merkel's refugees: a twist

Germany is not inviting refugees/migrants out of love for them, for if that were so the incomers would not be kept in such degrading conditions. They are

"effectively warehoused in wholly inadequate conditions, housed twelve to a “room” in what are no more than, and indeed described as, “containers”. Existing on disgusting food, jobless and with no apparent means of emerging from these holding pens, these migrants have in effect been abandoned by the German state."

The real motive is to wipe the guilt blackboard clean so that they can get back to hating Jews, says Melanie Phillips in this review of undercover Jewish investigator Tuvia Tenenbom's latest book, "Hello, Refugees!"