Saturday, August 22, 2026

Cambridge should have stood by Jason Arday

“We know. So what? We love him, he’s ours and we’re keeping him.”

That should have been the response when Arday’s qualifications and work came under fire. For unless the University establishment that took him on are extremely sloppy and unperceptive they would have known what they had.

You do not raise someone so far above his capacity and then open your hands and let him crash to the floor as they did. They may claim that recruitment is strictly on merit but politics plays a part, according to Dr Edward Skidelsky (“It’s time to stop the rot,” March 2024; “Cambridge urges recruiters to favour minority candidates,” June 2025.)

It also works negatively. In 2017 Nigel Biggar an Oxford professor of ethics was hounded out of his post because of a book he was about to publish based on six years of research, arguing that Britain’s imperial history needs to be reviewed in a balanced way rather than be wholly condemned. In November of that year he wrote an article in the Times entitled “Don’t feel guilty about our colonial history” (£). A week later he put online a description of his Ethics and Empire project.

A few days later Cambridge Professor (of postcolonial studies, within the Faculty of English) Priyamvada Gopal tweeted “OMG, this is serious shit … We need to SHUT THIS DOWN” and after Biggar’s Twitter history had been quarried for allegedly “misogynistic” and “homophobic tweets” he was eventually forced to resign.

One would have thought that academic questions should be considered on their own merits but “venganza” rules when somebody steps out of line; already Nathan Cofnas the researcher who exposed Professor Arday has been suspended by Ghent University and expects to be fired.

What is missing is “glasnost”, openness and transparency. Cambridge should not have blown hot and cold, protecting then abandoning Arday. They should have brazened it out, like the rotten and incompetent Marxist national government under which we now suffer. “We are the masters at the moment, and not only at the moment, but for a very long time to come” as Hartley Shawcross told Parliament in 1946, so (in effect) what are you going to do about it?

As long as the label on the tin says what is inside there is no reason to complain. If you went to Sussex University in the 60s or 70s you would expect left-wing attitudes and activism and future employers would know what its graduates would be like. In 1975 a team from Manchester University (including David Aaronovitch) came onto “University Challenge” with the intention of attacking Oxbridge privilege and “destroying his [Bamber Gascoigne’s] baby” by answering all questions with “Karl Marx, Trotsky, Che Guevara” etc.

Now would have been the perfect time for Cambridge’s education faculty to say “we are the masters, suck it up, this is a post-truth world.” Instead they lost their nerve and flung their pet off the back of the troika.

The shame is theirs.

Friday, August 21, 2026

FRIDAY MUSIC: Bruce Springsteen (2), by JD

This is the second post for Bruce Springsteen. The previous post featured music which was “a blend(?) of New Orleans style jazz with folk music playing very old melodies which form the bulk of what can be loosely decribed as ‘Americana.”

https://theylaughedatnoah.blogspot.com/2022/07/friday-music-bruce-springsteen-and.html

This time we feature his more familiar style of rock’n’roll(sometimes with and sometimes without the E Street Band)

His concerts certainly provide value for money, they usually last three hours or more!

“Tougher Than The Rest” (MULTI-CAM) - Bruce Springsteen LA 3/19/2016

Bruce Springsteen - Human Touch (Official HD Video)

Bruce Springsteen - Dancing In the Dark (from Born In The U.S.A. Live: London 2013)

Bruce Springsteen - You Never Can Tell (Leipzig 7/7/13)

“Hungry Heart” (MULTI-CAM) - Bruce Springsteen LA 3/19/2016

Bruce Springsteen & The E Street Band - Glory Days (London Calling: Live In Hyde Park, 2009) believe it or not this was the final number after a three hour show!

Don’t know where he gets the energy from. Must be because music makes you young!

Wednesday, August 19, 2026

Video of the Day - we're getting more stupid

This is a well-researched piece about our declining attention span and intelligence. The writers connect it with the development of information technology, from printing and the telegraph to the smartphone in nearly everybody’s hand today.

The vid is worth watching even if only for the many striking and beautiful images that accompany (but rarely illustrate) the argument - are they there to test our concentration?

Alternatively Professor Edward Dutton aka The Jolly Heretic puts it down to the fact that we live in easier times so our survival is not challenged as it used to be and the “Flynn effect” (average IQ increasing over time) has gone into reverse. He talks about it in this interview. Dutton has also said elsewhere that cleverer people (except for right-wingers) breed fewer children than those who are lower in IQ.

Tuesday, August 18, 2026

Slugfest

It’s not the garden they raid, it’s the kitchen.

I’ve learned to clear away the cat’s plate at night so I don’t find it gossamered with slugslobber in the morning. Sometimes with Silbo Sluggins the quiet burglar still in the dish.

There’s a technique for getting rid of them humanely, I call it the slug-flick. (“Where do you go to my slugly?”) Fold a paper kitchen towel in four, pick up the slug without (ugh) touching it, roll it left and right so it curls up and stops trying to stick to the paper, then with a flick of the wrist it’s off down the garden (“I believe I can fly”) sometimes with a splat as it hits a wall but it never kills them.

They keep coming back, they know the way; does one of them act as a scout on the Chisholm Trail to our back door? Caught four the other night, different sizes, from grand master to apprentice.

Sunday, August 16, 2026

Hooooooonk!!

"That mobile alert" 

"Yes, Prime Minister?" 

"Call me Andy, mate. Could one be sent selectively, like, to marginal constituencies to boost turnout in an election?" 

"Languages, emojis and flags as appropriate?" 

"Remind me what pay grade you're on at the moment, mate."

Friday, August 14, 2026

FRIDAY MUSIC: Dave Brubeck, by JD

This week’s music comes from the Dave Brubeck Quartet.

David Warren Brubeck was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck’s work is characterized by unusual time signatures and superimposing contrasting rhythms, meters, and tonalities, and combining different styles and genres, such as classical, jazz, and blues.

In the early Sixties Brubeck ‘invaded’ the pop charts with his single “Take Five” which became the best selling jazz record of all time. In the late fifties Brubeck was experimenting with unusual time signatures in two albums; Time Out and Time Further Out.

The following selection is not all by his Quartet but helps to illustrate the influence he has had on subsequent musicians.

https://en.wikipedia.org/wiki/Dave_Brubeck

https://www.davebrubeck.com/

Dave Brubeck Quartet - Take Five (Live In Germany, 1966)

Jon Lord - Unsquare Dance (Dave Brubeck)

Jon Lord was keyboard player with Deep Purple and left the band because of the touring which was too tiring. He then concentrated on writing and recording new music. He also adapted existing music and recorded his own variations on themes including Unsquare Dance and I think it is better than the various Brubeck versions available on YouTube.

Brubeck: Koto Song | The Dave Brubeck Quartet, Live in Belgium 1964

Dave Brubeck - Golden Brown

Of course that was not Dave Brubeck playing Golden Brown by The Stranglers and it was not put together with AI. It was assembled before AI by Laurence Mason using tape editing etc as explained here -

A couple of people have asked how I made this video so here we go -
I took a clip from a 1964 live version of Take Five ( • Dave Brubeck - Take Five ) and made the drum loop by chopping up the intro and turning it from 5/4 into the 3/4 - 4/4 groove that Golden Brown has. The upright bass sound is sequenced from Logic, and the piano part was played in using one of the piano sounds from a Nord Electro 5D. Then I played the sax part over the top (I play a King Zephyr alto and for this I used a hard rubber Yanigasawa mouthpiece rather than my usual bright Guardala).
The video was then edited using the clip I’d taken the drum loop from.

Dave Brubeck Quartet - Take the “A” Train (Live In Germany, 1966)

That should set your feet tapping!