Thursday, September 25, 2014

After the conference?



This little figure of a clown was carved from linden wood by Pascal Bosshardt of Thannenkirch in Alsace. We were there last year and bought the figure after watching him at work. To take the photo I stood the clown by a pound coin to give an idea of scale. 

I'm fascinated by this kind of skill, probably because I'm so far from being able to emulate it. I just don't have the coordination between hand and eye, the sense of scale and proportion. This was one of his simplest pieces too. 

I don't know what inspired M Bosshardt to carve it, but to my eye the clown could be an ironic reference to politics. A clown blowing his own trumpet. Doesn't quite work because his expression has a touch of melancholy. 

After the conference?

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MAD

AK Haart raised the question of how over-entertainment and superinformation are changing us. I think it's at least as serious an issue as the phoney drugs war.

Mentally Addictive Devices (MAD) seem to me to be shortening attention span, overstimulating and exhausting the mind with trivial and repetitive tasks, and fostering a hazy expectation of instant gratification in other aspects of life.

They also divert attention from pursuing action that furthers one's real long-term interests - there are students flunking college because of their addiction to computerised role-playing games.

And they override alertness to real physical risk. Look at those who walk blindly across a road while on their cellphones; and the poor girl murdered on a Birmingham bus last year had previously noted the strange behaviour of what was to be her killer, but had merely commented on it on her phone - I think the phone gives the illusion of society and so misleads one into a false sense of security.

What if Orwell's eternally ruling Party had realised that you could subjugate the people with endless dreams?


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Wednesday, September 24, 2014

Ur-language: "Politics"

One of the striking aspects of archaeolingustics is how certain words have survived millennia almost unchanged - one thinks for example of "atman" (breath, to blow) in Cave Six, the ancestor of the German "atmen" (to breathe) and "atman" (vital breath, the soul) in Sanskrit. The glyph for "atman" is found close to the depiction of a hunter using a blowpipe to bring down some as yet unidentified arboreal creature; given the age of the painting, this has sparked a lively debate on the tools that early Man may have developed before the Rift Valley diaspora.

Similarly, there are several images of what appear to be mouflons in a non-hunting context, suggesting that they may have been domesticated much earlier than the c. 8,000 BCE date previously theorised, perhaps owing to the local geography and micro-climate at the time and the protection offered by the size and depth of the cave complex.

Long duration of settlement and relative prosperity and security may also have fostered more complex forms of social organization not re-created until after the last Ice Age; this may explain the apparently formally-arranged groups of humans in some of the images. One of these shows such a group gathered around a flock or herd, possibly for the purposes of division, which may have been unequal, seeing the crown or helmet on one of the figures. Alternatively, it may have been to do with some form of treatment, since the co-habitation of man and animal promotes diseases and pests.

It is possible, therefore, that one of the compound words found beside this image may either have a purely literal meaning or, as Professor Strumpfhosen has controversially suggested, be the world's first example of metaphor: "poli" (many) and "tics" (bloodsucking insects). As the Professor remarks, some things never change.


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Tuesday, September 23, 2014

I sit on a man's back



I sit on a man's back, choking him and making him carry me, and yet assure myself and others that I am very sorry for him and wish to ease his lot by all possible means - except by getting off his back.

Leo Tolstoy - What Is to be Done? (1886)

Yes I know it's only another quote, but it seems about right for the party conference season.

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Ur-language: "Managers"

Researchers at the E207 Caucasian cave complex, the world's oldest continuously-inhabited site, believe they have deciphered another part of the ancient wall-scratchings in Cave Six.

It has already been established that the Ur-word ancestor of the Chinese word "ma" (no) and Italian/French "ma/mais" (but) is "man", a generalised negative. More difficult, but extremely exciting, are the pictograms that appear to represent abstracts, including the one that is tentatively rendered as "thought" or "reflection".

It is now theorised that the Ur-etymology of "manager" is "man" (not) + "ager" (much idea).


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Monday, September 22, 2014

The Great Leap Backwards

Preparations for the Great Leap Backwards began in October 1927. According to Wikipedia that’s when the first feature film talkie was released - The Jazz Singer starring Al Jolson.

From this small beginning the world changed forever as a number of social trends began to march in step.

Firstly the moving image became an important part of life all over the developed world. Not just for entertainment, but news, information and commentary. Although books had become much cheaper and lending libraries were popular, the moving image gripped its audience in a way books would never emulate.

Cinemas were built in every town, cities had lots of them. Only a few decades later the moving image entered our homes via television. The conquest was complete.

Secondly as the twentieth century progressed and in spite of wars and financial disasters, the developed world began learning how to feed and house even the poorest of its citizens.

These two factors brought out something fundamental about ourselves, an issue we must have missed while still hypnotised by the moving image. Something to do with how we deal with the real world – how those dealings can be subverted by security and physical comfort.

In a way this something is merely the circus of bread and circuses, but much more powerful, intrusive and sinister. As the moving image and comparative prosperity took hold of our lives, intellectual curiosity began to wane.

Today, nearly eighty years after that first talkie, we are losing the urge to know in favour of an urge to be entertained. With it comes a deep-seated love of show and display - a love of theatre. As if life’s edge has been dulled by comfort and prosperity, as if a less basic need slipped into the driving seat while we were queuing up to watch the latest blockbuster at the Odeon or switching on the box for an evening of family entertainment.

Display has always been important to us, as it is with other animals, but without the sharp edge of survival – well the arts of display seem to be all we have left to push us on into our brave new world.

Perhaps we thought intellectual curiosity was enough to spur us on in spite of our full bellies, but apparently not. Curiosity is intimately linked with survival and we’ve dealt with survival. For now. Folk memories of genuine poverty and real hardship are disappearing from the reach of living memory.

The recent Scottish Referendum was pure theatre, rational argument very much noticeable by its absence. Instead we had the unedifying sight of political theatre and its emotional power to get those metaphorical bums on seats. From economic summits to Prime Minister’s Questions, from elections to great debates, it’s all theatre.

Even the mad murderers of ISIL seem to be gripped by a grisly sense of theatre. Black uniforms, sinister headgear and black flags. All theatre. Grim, deadly, insane and even juvenile in some respects, but still theatre.

Science is certainly drifting towards theatre and away from a knowledge culture. Climate change is pure theatre, always was. Take leading actors on the climate stage. Al Gore, Vivienne Westwood, Leonardo DiCaprio, Sting, Emma Thompson... 

Strewth! 

But it's just theatre – nothing else, nothing deeper, nothing demanding, nothing intellectual. Forget the science - the names topping the bill tell you all you need to know about the show. Apart from who dunnit.

Climate impresarios rope in celebrities, fashion designers, artists, pundits and assorted thespians with limited knowledge of the science because they don’t need it. They have their lines off pat. It’s what they do, why they are able strut their stuff on the climate stage without knowing anything worth passing on.

Staying with science - how about physics? Multiverse theories? They look like theatre to me. The vast drama of the cosmos, the thrilling strangeness of untrammelled scientific conjecture, the mysterious depths of untestable notions. Bums on seats matter, even in relatively small and publicly supported theatres such as this.

All the world’s a stage – literally. Yet if people are to be liberally rewarded for acting a part, for learning a narrative instead of the truth, then we cannot use the cold blue light of reason to show us the way to anywhere worth visiting. 

So lots of drama but no happy ending.

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Sunday, September 21, 2014

The problem with democracy

Last week's Scottish referendum has lit a match to other firecrackers in this country and elsewhere - Belgium and Spain, for example. But how far (and in what way) should the collective will of the people be sovereign?

The sense of being effectively disenfranchised by a remote political elite leads to calls for localism and direct democracy, an example of which is the Harrogate Agenda:


The trouble is, any system can be gamed. The strategy and tools merely vary according to the way the game is set up.

The birthplace of democracy is said to be ancient Athens, and the classical scholar Peter Jones in The Oldie magazine runs a column in which he often compares current affairs with how matters were settled by the Athenians, who voted en masse on everything, in their weekly assemblies. Yet this democracy excluded women, and the slaves on which the city's economy largely depended. Not everyone's interests were represented.

And even for those who had a voice, there was the question of how their decisions were influenced. The way to game a system based on debate and voting is to refine the arts of persuasion, so that emotion can sometimes not assist but overcome reason. Set against Socrates, who asked questions to get at the truth, were the sophists such as Gorgias, who held that nothing really existed and who gave answers simply to sway opinion. Socrates was forced by his enemies - who persuaded the Athenian assembly - to drink poison at the age of 71, when he was still in good shape; Gorgias lived to 108.

As well as his opponents, the skill of the orator can ruin his supporters, and even himself. Demosthenes, reputedly the greatest speaker in history, caused Athens to resist the Macedonians, and it was only by the earnest pleading of Phocion with Alexander the Great that the city was spared the destruction visited on Thebes. Phocion also persuaded Alexander to give up his demand for Demosthenes and other crowd-rousers to be delivered up to him, which gave the orator a few more years of life (until he had another go at the Macedonians).

A modern example of the deadly persuader would be Adolf Hitler, whose speeches were electrifying even though he was eventually off his head with the cocktails of drugs he took daily. In the latter stages of World War Two the Allied decided to stop trying to assassinate him, because we were more likely to win with him still ruling his roost and terrifying his general staff.

Ultimately, democracy can be used to annul itself. The French Revolutionary Assembly quickly turned into a reign of terror that consumed its own leaders. Democracy turns to mobocracy and the rise of cliques and strongmen, as the Communists - heirs of Gorgias as far as respect for the truth is concerned - well know. Those who advocate local democracy can look across to the USA and see how wrong it can go in some communities - judges and police chiefs making decisions with an eye to re-election - just as democracy is failing in the nation as a whole, with a developing media-and-law-buying oligarchy that even the Federal Reserve chairman Janet Yellen can't quite deny.

And those who think referenda are the universal answer might like to watch Peter Cook's 1970 film, "The Rise and Rise of Michael Rimmer". What the Wikipedia synopsis doesn't make clear is how the antihero becomes a dictator: he offers the public the power to take part in all law-making via referenda , so that the ordinary man finds himself fretting at home over proposed legislation while his tea is getting cold, and eventually the people decide to leave it all in Rimmer's hands.

Nor do the people speak with one voice. I think it's an American spin doctor who describes the electorate as "a bag of magnets", that is, groups of people who feel strongly on both sides about issues and about other groups, so that the art is not to please all but to get a small majority polarised in the direction chosen by the manipulator.

Majority voting is not only decisive, but divisive, as we now see north of the border. Members of the minority have become sharply conscious of the numbers that share their view, and there will be work to do in reconciling the two sides. It is not enough that the greater number should have their will; their defeated opponents must agree to abide by the result.

Debate continues about voting systems and how fair they are, and we saw in 2011 how the Establishment united and fought hard against proportional representation. This misleads us into viewing the political crisis as psephological. It is not.

Far more important is what unites the community through its differences: a sense of common identity, equality for all under the law, the preservation of individual rights and liberties, and the justified expectation that by obeying the law and applying oneself it is possible to better one's economic condition. In these aspects there have been grave failures by the political elites and the magnates within and outside the country who have their ear.


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