Wednesday, February 18, 2015

David Malone, TTIP, TISA and Russian dolls



http://www.theguardian.com/membership/2015/feb/18/guardian-live-what-is-ttip-and-how-does-it-affect-us

Practical example: Raytheon.


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Why the TTIP will end the NHS...

... and much more, including democracy itself:






Q&A, including an idea how to handle the banks with a "depositors' union":




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The enigma of Pilsbury Castle

Illustration of Pilsbury Castle as it may have been.
Taken from the nearby signboard

We were out walking the hills above the Dove valley near Hartington yesterday. Pilsbury Castle lies in the valley, mid way between Hartington and the tiny village of Crowdecote

The castle is an odd place. Stuck in a remote spot at the bottom of the valley, nothing is left but the earthworks because it never had any stonework.

There are some obvious conjectures of course, but nobody seems to know for sure why the castle was built, why it was never rebuilt in stone or why it was built in such an out of the way place overlooked by hills. After all, it is in a valley and it doesn’t take a military genius to see the potential problems.

Wikipedia says:-

Pilsbury Castle occupied an area of high ground approximately 175 by 150 yards (160 by 137 m) overlooking the River Dove, near the village of Pilsbury.

It is high ground, but only relative to the valley floor, not the hills looming over it. See my photo below. The Dove is not navigable either and the valley floor tends to be boggy so how much traffic it controlled is unknown. Possibly none at all.

Pilsbury Castle
In the distance is the conical shape of Chrome Hill

Pilsbury Castle well illustrates how fragmented history can be, how easy it is to add supposition to known facts in pursuit of a coherent story. One might surmise that the Dove was navigable in those days. Or maybe the whole project was a mistake. In some respects it clearly was a mistake because it was never rebuilt in stone even though there was obviously plenty of limestone to hand.

Here’s what the signboard says. Oh by the way - the valley is a beautiful sight from nearby hills under a blue sky.

In front of you is the earthworks of Pilsbury Castle.

It is a motte and bailey castle and never had any stone buildings or walls. The motte or mound was the defensive core of the castle, probably with a wooden watch-tower on top. The two baileys or enclosures (see plan) contained timber buildings such as kitchens, stables, store-rooms and accommodation for the garrison. The baileys are protected by ditches and banks which would have had a wooden palisade on top of them.

There is evidence of a hollow-way (a sunken track) which would have been the access route from the south to an entrance in the southern bailey. Entry to the castle would have been across a bridge and through a gatehouse.

The castle was built partly on a reef limestone knoll which is incorporated into its defences and extends onto a shale promontory overlooking the River Dove. It also overlooks a long rectangular hollow on the low ground north of the castle. This was probably a fishpond for supplying occupants of the castle.

We do not know precisely when the castle was built. It was certainly built after the Norman Conquest of 1066 and may have been after the unsuccessful rebellion in the north against William the Conqueror in 1068-9 as a reminder of the power of the king. Certainly the castle would have controlled the Dove valley, the local population and all traffic along the valley route. The castle may only have continued in use for a few decades into the 12th century.

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Tuesday, February 17, 2015

Once a generation (revisited)

Updating last year's speculation:

1914
1939
1964-ish (young v. old)
1989 - the crumbling of communism
2014 - what James Kunstler describes as "apocalyptic Jihadism", notably ISIL

None of it is to do with reason, some of it is against a background of societal stress as described in Norman Cohn's "Pursuit of the Millennium"... but how much is down to gonads, and the time it take for a new generation who don't know how hot fire burns, to come to the fore?


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Sunday, February 15, 2015

Postdialectic socialism

source

I was playing with the Postmodernism Generator earlier. These things have been around for a while, but if you haven't seen it before, it's much like Chomskybot, a nonsense generator which is amusingly close to genuine academic output. Here's an example.

Postdialectic socialism in the works of Tarantino

“Sexual identity is a legal fiction,” says Sontag. In a sense, Derrida uses the term ‘cultural narrative’ to denote the role of the artist as poet.


Baudrillard suggests the use of capitalism to challenge sexism. But the subject is contextualised into a subcapitalist feminism that includes truth as a reality.

Abian implies that we have to choose between capitalism and neoconceptualist libertarianism. Therefore, Sartre uses the term ‘capitalist theory’ to denote the genre, and subsequent paradigm, of precultural narrativity.


The message is obvious and quite unsettling. For example, if we build artificial intelligence which spouts such verbiage, then some poor souls will see it as proof of genuinely superior intelligence instead of a software goof.

Human language has the capacity to slide from common sense to abstruse argument to nonsense with not a single dividing line to tell us which is which. Many thrive on it.

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Saturday, February 14, 2015

Don't forget to vote on May 7th!




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Why I read the Daily Mail

WHY I READ THE DAILY MAIL

... or more precisely, why I don't read The Guardian:

"I have worked for publications owned by Conrad Black, the Guardian’s arch-Satan Rupert Murdoch, and the Barclay brothers. I have also worked for Polly’s pristine conduit — and I can tell you that when it comes to political interference in copy, the only place I’ve had even the remotest problem, in 15 years, was the Guardian. Not a huge problem, I admit — they stopped me using the word ‘monkey’ to describe someone who was behaving like a monkey, jabbering, being mischievous. They said it was racist. I said well, OK, but the man I’m talking about is white. They said yes, but people might think he’s black. The following week I described someone as being a wolv-erine — they cut that out too. They said a wolverine was a kind of ape and was therefore racist. I said no, a wolverine is a sort of large, ferocious weasel. And they said yes, but someone might think that it’s a kind of ape, and therefore racist."

See Rod Liddle's full piece in this week's Spectator here: 
http://www.spectator.co.uk/columnists/rod-liddle/9438392/the-delicious-cant-of-the-guardian-is-such-a-treat-on-a-saturday-morning/

... or more precisely, why I don't read The Guardian:

"I have worked for publications owned by Conrad Black, the Guardian’s arch-Satan Rupert Murdoch, and the Barclay brothers. I have also worked for Polly’s pristine conduit — and I can tell you that when it comes to political interference in copy, the only place I’ve had even the remotest problem, in 15 years, was the Guardian. Not a huge problem, I admit — they stopped me using the word ‘monkey’ to describe someone who was behaving like a monkey, jabbering, being mischievous. They said it was racist. I said well, OK, but the man I’m talking about is white. They said yes, but people might think he’s black. The following week I described someone as being a wolv-erine — they cut that out too. They said a wolverine was a kind of ape and was therefore racist. I said no, a wolverine is a sort of large, ferocious weasel. And they said yes, but someone might think that it’s a kind of ape, and therefore racist."

See Rod Liddle's full piece in this week's Spectator here.


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