Tuesday, May 07, 2019

Mysteries of Sacred Architecture (1), by JD


This is a post (in two parts) prompted by the recent fire at the Cathedral of Notre dame in Paris but it is not a speculation on the causes of the fire. I leave that to others.

And it is not about the costs of any restoration; those who object to money being spent on the building are very much in tune with Judas who objected to money being spent on expensive ointments for Jesus instead of giving the money to the poor - John 12:1–8

This is a post about the mystery that is Sacred Architecture and how and why such great ecclesiastical buildings are a permanent source of wonder. There are many books on the subject and thousands of words have been written already so all I can do is merely 'scratch the surface' and try to convey my own understanding from what I have read and what I have seen so far.
---------------------------------------------------------------------------------

The recent fire at the Cathedral of Notre Dame in Paris is not the first time the building has been damaged. Considerably more damage was done to the fabric of the building during the French Revolution of 1789 and subsequently. [1]

The spire which was detroyed in the fire was not the original so all of the pious humbug about a legacy 'lost forever' is misplaced. The original was removed in 1786 because it was unstable in the wind. 

After the Revolution Napoleon was crowned Emperor in the Cathedral in 1804 and French life returned to normal, relatively speaking.

Restoration work on the cathedral was done by Viollet le Duc, starting in 1844. He recreated the original spire but made it "... taller and more strongly built to withstand the weather; it was decorated with statues of the apostles, and the face of Saint Thomas bore a noticeable resemblance to Viollet-le-Duc." [2]

I have been to the Cathedral during my time working in Paris but I have not been inside. I have visited and been fascinated by Cathedrals and other sacred buildings for most of my life and I don't know why but for some reason this one did not 'invite' me to step through the door.

My introduction to sacred architecture came during family holidays in Northumberland and the Borders and a visit to the Holy Island of Lindisfarne. There was a wooden Priory building on the site from the 7th century. The current ruins are of the stone Priory built in the 12th century. Although I was very young when I first visited, those ruins looked 'right' somehow and looked as though they belonged in their setting, in that landscape. It was many years later that I heard about the design concept of Self Similarity. It is a concept whereby a glimpse of just a small portion of a design (as in Lindisfarne's ruins) will allow you to know exactly how the entire thing looks or in this case used to look. In other words it is an example of fractal geometry. [3]

" In the article Fractal Architecture Could Be Good For You (Joye, 2007) the author presents numerous architectural examples where fractal geometry plays an important role, from Hindu temples, where the self repeating and self-similar components are supposed to reflect the idea that every part of cosmos contain all information about the whole cosmos, to gothic architecture, with a high degree of self similarity and complex detailing." [4]

"A surprising amount of the world's religious art and architecture has been designed using the timeless symbolic patterns of nature and number, but these patterns symbolic of our own sacred inner realm, symbolic of the subtle structure of awareness whose source is the same as archetypal number. All this was understood in ancient times and deemed so important that it was built into the culture on every level." - Michael S. Schneider. [5]

If all of that sounds too complex, don't worry because you understand it at a subconscious intuitive level whether you realise it or not. It is why you hate the glass and steel of the modern architect's vanity projects found in every city and why you prefer vernacular or traditional building design. It is why modern architecture generates dis-ease.

Here in the 'far north' we also have Durham Cathedral which is more than 900 years old and, for me, the massive stone pillars within the main body of the building and the Cloisters are the most impressive features. But I much prefer Hexham Abbey. It is a lot smaller obviously and very different in character. Where the Cathedral is airy and light inside, the Abbey is dark within. The rood screen forms a very clear division between the choir and the congregation which division is emphasised by the width of the transept. By far the most impressive and mysterious feature is the Night Stair which is part of the original 13th century Priory on the site. My favourite detail however are the small carved stone figures behind the choir stalls including a figure of a bagpiper. I like that one! [6]

The Cathedral Church of Saint Nicholas in the centre of Newcastle dates from the same period as Hexham Abbey, work being completed in 1350. Its most notable feature is the lantern spire built in the 15th century. The most interesting tale is not about the Cathedral itself but about the strange gargoyle known as the Vampire Rabbit which sits on a very ornate doorway of Cathedral Buildings (built 1901) and this little creature is looking directly at the east window of the Cathedral. Why? Well, nobody seems to know. I have asked in the Cathedral as well as the local library but it is a mystery. I suspect the answer may be hidden somewhere in the dusty archives of the architects; or maybe not. [7]

Venturing further south I have visited many, but nowhere near all, of the Cathedrals of England and each has provided something worth remembering. It would be repetitive to try to describe all of them but I will mention the one which was the exception. That was the new Coventry Cathedral which was consecrated in 1962. When I saw it in that year, to say it was a shock is something of an understatement. It doesn't look like a cathedral, it doesn't 'feel' like a cathedral and I cannot think of anything good to say about it - modern architecture at its contemptuous worst: show any modern architect an urban space to be filled and he will treat it the way a dog treats a lamppost!

My first reaction on seeing it was to wonder why it had a statue of the devil at the entrance. On closer inspection it turned out to be St Michael triumphant over the devil but there was very little that was 'saintly' about the sculpted figure. Inside the building were row upon row of wooden chairs, it resembled a school assembly hall.

The only thing which impressed me was the large tapestry by Graham Sutherland. I still have the commemorative souvenir publication called Cathedral Reborn [8] I note that it cost 5/-, a reminder of the days when we had real money! (See the quote above about number being so important it was built into the culture at every level.[5])

When the new design was chosen the public reaction was universally hostile. I quote from the booklet 'Cathedral Reborn' - " The architect, Basil Spence (later Sir Basil), insisted... that he was the traditionalist in doing what the builders of cathedrals throughout history had done, designing in a style relevant and meaningful for their day." The Bishop of Coventry said "If we cannot express our Christian faith in terms of our time, we might as well pack up." The Provost added "We see the cathedral as a great laboratory of experiment. We feel we have been given a licence to do experimental and probably controversial work."

Clearly none of the three had any understanding of the reasons for having cathedrals at all. They all sound like the Dadaist or Marcel Duchamp; doing their 'art' in a different way because it is all meaningless anyway.

If you want to know why religious belief has withered away in this country, there it is. Those who are charged with keeping the faith no longer believe in it. This was the sixties and 'throwing out the baby with the bathwater' was the 'revolutionary' trend in virtually every established tradition to be replaced by...? Nothing of any substance or meaning.

- To be continued in Part 2.
===================================================
References:
[1] Notre Dame de Paris
[2] Viollet le Duc.
[3] fractals in architecture
[4] fractal architecture could be good for you
[5] A Beginner's Guide to Constructing the Universe by Michael S. Schneider.
[6] Hexham Abbey, the Night Stair.
[7] The Vampire Rabbit of Newcastle
[8] Coventry Cathedral

Friday, May 03, 2019

FRIDAY MUSIC: More Mediaeval, by JD

I am developing a liking for the old stuff - some of it sounds quite modern!













Tuesday, April 30, 2019

Which Brexit?

Assuming that we ever escape the Shelob’s web that Mrs May, her bullnecked exquisite “Olly” Robbins and others have woven in our path out of the EU, the big question is, what next? Is it to be untrammelled “free trade”, or something else? For there are other options.

Hilariously, Left agitators like Owen Jones and unthinking right-on Facebook snarlers represent Leave as purely a Tory initiative, quite forgetting that it was Conservatives like Macmillan and Heath who shoehorned us into this mess in the first place.

Why?

Some say it was because we needed supranational government to prevent a third and even more terrible, nuclear-armed world war. Others say Supermac felt it was a way to block the takeover of socialism in Britain.

Both could be right, for these issues were addressed over sixty years ago, by none other than Lord Beveridge:

‘I believe that there are two desires which are common to all the peoples of all the nations of the world. One is the desire for peace, and the second is the desire to have their own way of life, not something forced on them from outside; to govern or, if they prefer, misgovern, themselves. How can they get both those things—peace and self-government, or self-misgovernment, as they prefer?’

I used to think that World Government sounded like a Good Idea, failing to factor-in human nature: build a Throne for the Ruler of All and “they will come”, the violent contenders for it.

But as Betrand Russell said, power takes more than one form. Such is the terror of Mutually Assured Destruction that the battling has diverted into economics and the Game Of CEOs’ Desks. Our time in the EU has seen big money and little people moving around, which has led to economic and social disequilibrium. There has only been one year since our entry in 1973 when we had evenly balanced trade with the EEC-EC-EU: not coincidentally I think, that was the year of the 1975 Referendum. Otherwise, losses for the UK, and the withering of our industries.

Yet the vision Mr Farage and others conjure up for us, of a Britain trading completely freely with the world, has its own potential pitfalls. For example, when Michael Gove attended January’s Oxford Farming Conference NFU President Minette Batters asked him for reassurances that domestic food producers would not be undercut by imports from countries with lower standards of production and environmental protection.

These are knotty problems, and not just for the developed countries. A 2012 study said that the Great Green Wheeze of making fuel from grain, plus the disruptive activity of international speculators, had the effect of tripling the price of Mexico’s corn and inflicting hunger on its poor.

Similarly, when rich countries draw in skilled health workers from abroad it may be a cheap way to fulfil our needs with ready-trained professionals, but it also means a ‘brain drain’ that is ‘adversely affecting the healthcare system in developing countries and, hence, the health of the population.’ Even the Guardian has noted this effect on Romania, whose health workers are emigrating.

Free trade needs some form of control of pace and direction, just as a car needs brakes and steering. It can’t all be left to the multinationals to decide, because in the interests of maximising shareholder returns they will seek to externalise costs and may ultimately destroy the system.

I have previously likened globalised finance to opening all the locks on a canal at the same time and perhaps this crude graphic will sketch some concerns:



The current situation bears out what Sir James Goldsmith predicted in 1994, that unrestricted international trade would swing the seesaw towards capital and against labour forces and would lead to social tensions.

We are seeing growing inequality, even – especially - in Communist China. Over here, rich individuals can squirrel their wealth offshore while still living in London; multinational companies can incorporate wherever in Europe charges them the least; growing numbers of the poor feed and breed; the middle class, who don’t have enough to run away, get squeezed for tax even as Artificial Intelligence is a looming threat to their ability to earn in future.

But if we could level the seesaw so that we had more real jobs (employment statistics are a lie, even Big Issue sellers count as self-employed and qualify for income supplements) and better pay rates, then the working population would spend more, so increasing demand for each other’s goods and services. The increased turnover of money would also mean more tax revenue – a bite at every turn- so we might at last balance the national budget, instead of self-defeating, demand-shrivelling ‘austerity’. And, perhaps, much of the underclass would be raised from liability status to economic asset.

We must of course trade with the world, but on terms that are more equitable, at a more measured pace, so that all will benefit gradually, rather than this crazy Wild West gold rush.

Everything is a political decision. We have the capacity to bomb the human race to extinction several times over, but so far we have decided not to. We instituted the Welfare State at a time when the country was on its uppers and we couldn’t afford it – but we hadn’t done it in the midst of pre-WWI prosperity, so when was it ever going to come?

Now, we need more freedom to make deep, long-term political decisions.

My argument for Brexit is not that we will all suddenly become much richer, but that we need more flexibility in a changing world; to be able to govern or, if we prefer, misgovern, ourselves, as Beveridge so wisely said.

Friday, April 26, 2019

FRIDAY MUSIC: Dylan, by JD

"The knower of the mystery of sound knows the mystery of the whole universe."

— Hazrat Inayat Khan

This week's music is from Bob Dylan. There is not much to say that has not already been said but I would like to comment on two popular 'myths' about the man.

The first is that he is a 'born again' evangelical Christian, based on three biblically inspired albums in the late seventies and early eighties. Not quite; it is true that he spent three months at the Vineyard Church in California studying the New Testament-
https://en.wikipedia.org/wiki/Association_of_Vineyard_Churches

But he remained and still is Jewish and is one of a growing number who recognise that Jesus was indeed the Jewish Messiah fulfilling the Old Testament prophecies. This link will help to explain-
https://jewsforjesus.org/publications/issues/issues-v21-n03/thinking-twice-about-bob-dylan/

The second 'myth' is that Dylan sold his soul to the Devil which stems from an interview he did with the journalist Ed Bradley in 2005. The relevent passage is transcribed in the above link.

But watch the clip on YouTube and Dylan is trying hard not to be misunderstood or misrepresented knowing, from experience, that journalists are not the most intelligent creatures on this earth.

"Making a bargain with the Chief Commander..." is not the same as selling your soul to the Devil. After all, if you sell your soul what do you get in return? Nothing is the answer. The devil or satan or evil is not a creative entity and so a creative talent has nothing to gain from doing deals with the devil. As pointed out in the link it is a story which probably began when Robert Johnson "went down to the crossroads" as one of his songs puts it.

In a 1984 interview, Dylan remarked, “I think politics is an instrument of the Devil. Just that clear. I think politics is what kills; it doesn’t bring anything alive.”
https://www.counterpunch.org/2015/11/25/bob-dylan-and-christian-zionism/

Aside from all that, it is the music which is important and his perpetual re-interpretation of his own songs which mark him out as one of America's finest poet/musician. His back catalogue is huge so this below is but a snall selection. And just a note about the last video here which is an impromptu duet with one of his best, if not the best backing singers Clydie King who died earlier this year. A fitting epitaph to her memory.
https://en.wikipedia.org/wiki/Clydie_King















Thursday, April 25, 2019

Selling their souls. For money. - By JD

This is a story that you will not find in the mainstream UK news media. I have made reference to the weekly public executions in Saudi in a previous post. https://theylaughedatnoah.blogspot.com/2016/03/jd-human-rights-or-human-rites.html

The UK Government says arms sales to Saudi Arabia are vital for the British economy. The USA sells arms to their 'vital' ally in the region, Saudi Arabia. But they are silent when the Saudis executed 37 people on tuesday this week. (Their weekly executions are usually held on a friday, their holy day.)

The only place you will find the story is here - https://www.amnesty.org/en/latest/news/2019/04/saudi-arabia-37-put-to-death-in-shocking-execution-spree/

You will notice that all of those executed were Shias. Saudi is governed by Sunnis who are 'at war' with that particular sect. The number of sects is 73 only one of which is destined for paradise. The others are detined for hell. There seems to be a great seal of misunderstanding and confusion on the subject. -

    “The Grape that can with Logic absolute 
     The Two-and-Seventy jarring Sects confute: 
     The subtle Alchemist that in a Trice 
     Life's leaden Metal into Gold transmute.”

     ― Omar Khayyam

The only reason I knew about the Amnesty report is because it was mentioned in the Spanish sports daily Marca. The English version of the story does not mention Amnesty International.
https://www.marca.com/futbol/supercopa-espana/2019/04/25/5cc049d1ca4741c26b8b45a8.html

Juventus and AC Milan contested the Italian Supercopa recently in Saudi Arabia and the Spanish FA wish to stage their own Supercopa in saudi Arabia in Janury of 2020.

The corrupting power of money!